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Review
'Philip Butterworth is rapidly establishing himself as the pre-eminent authority on special effects of the medieval stage ... His approach is cautious, scholarly, and thorough ... Magic on the Early English Stage is a valuable addition to our knowledge of stage effects and other technical 'tricks' of the period.'
Comparative Drama
"Magic on the Early English Stage provides an unprecedentedly precise and impeccably thorough survey of the historical records within its purview." - Bruce Boehrer, Studies in English Literature
"This valuable compendium should be acquired by university libraries and academies of dramatic art." --DuBruck: The Current State of Research
About the Author
Philip Butterworth is Reader in Medieval Theatre at the School of Performance and Cultural Industries, University of Leeds. He is the author of Theatre of Fire: Special Effects in Early English and Scottish Theatre, and has published widely in journals on the subject of Medieval Theatre, including essays in 'Medieval English Theatre'. He is currently working, with Joslin McKinney, on The Cambridge Introduction to Scenography, to be published in 2006.
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